The Story Prize announces its finalists

The prestigious $20,000 Story Prize, awarded annually to a short story collection published in the US has announced the finalists for 2011:

• The Angel Esmeralda by Don DeLillo (Scribner) 
• We Others by Steven Millhauser (Alfred A. Knopf) 
• Binocular Vision by Edith Pearlman (Lookout Books) 

We have reviewed Edith Pearlman's stunning collection already (and Steven Millhauser's previous collection, Dangerous Laughter) - and the other two are on our pile - and frankly I don't envy the judges, having to decide between these three. I'd rather not have to! The winner will be announced in March. Good luck to all! Keep an eye on the Story prize blog for more about the prize and the finalists.

Happy Fourth Birthday to The Short Review!

Happy birthday! This month The Short Review turns four years old. 


439 story collections and anthologies reviewed, by our forty or so reviewers worldwide, and over 250 authors interviewed... We all do what we do for love of the short story and to spread the word about as many short story collections as possible so readers can get hold of them, demand them from their local bookshops or libraries, buy them as presents.  

Four years on, we are so overwhelmed with offers of collections to review that we have had to declare a hiatus in accepting new review copies so that we can catch our breath! A good sign, we think. A very good sign! How could you help us celebrate our birthday? Tell someone about a short story collection you love. Tell ten people. Spread it around!

This month's issue includes an unprecedented seven reviews of multi-author anthologies, which means that we are bringing you short stories by more authors than ever before! From women aloud to the bride stripped bare, the gold boy and the emerald girl, the best british and european fiction, what doesn't kill you if you're with the bears or on the Paris metro in nineteen seventysomething... and...


... Giveaways - In honour of our birthday - and of the UK's National Short Story Week - we are giving away NINE books: 4 of the books we are reviewing this month - and an extra 5 short story collections! You could win Best British Short Stories 2011, Best European Fiction 2012, the National Short Story Week charity audiobook anthology Women Aloud - and Affirm Press's Long Story Shorts set of six short story collections, which includes Barry Divola's Nineteen Seventysomething.

Visit the Competitions page to find out how to win.

Shortlistees for the BBC National Short Story Award 2011

Huge congratulations to Short Review author Alison MacLeod, one of the five shortlistees for this year's BBC National Short Story Award, announced tonight! Her fellow honorees are: Jon McGregor, MJ Hyland, KJ Orr and DW Wilson. More information here - and you can listen to all the shortlisted stories on BBC Radio 4 next week!

A quick word about speed

One of the most interesting things for me, as editor of The Short Review, is seeing how different authors answer our standard author interview questions. The first question "How long did it take you to write all the stories in your collection" often brings forth comments along the lines of Bret Anthony Johnston's in this month's issue: "I’ve always known that I’m a slow writer, but man oh man; looking at it this way really highlights it to an embarrassing degree." How long did it take Johnson to write Corpus Christi? Five years. Is this extraordinarily slow? Is there reason for his embarassment. Well, according to our survey, absolutely not.

So, to make Bret - and frankly all of us writing short stories - feel better, let's take a quick look:

Mary Akers: Let’s see, I wrote the first story back in 1997, and the last story in 2007, so the math is easy. Ten years.

Allison Amend: The earliest story was written in 1997; the last was written expressly for the collection in 2008.

Paolo Bacigalupi: The first, Pocketful of Dharma was written in 1998, the last was written in 2007, so... 9 years?

Rusty Barnes: These stories were written between 1999 and 2006.

Kevin Barry: They’d been slowly oozing from my fetid little brain onto the computer screen for the best part of seven years.

Alan Beard: Thirteen years since my first collection (Taking Doreen out of the Sky), and that took twelve years to complete.

Aimee Bender:  About six years.

Regi Claire: To be honest, quite a few years (my guess is six)!

Ramola D: I think the stories that ended up in this collection were written across about twelve years.


Lise Erdrich: I could say twenty years, since that is when they first started to get published here and there.

Deborah Kay Davies: It took about 10 years altogether. 

Charles Lambert: I wrote the oldest story here (Beacons) over fifteen years ago and the most recent (Something Rich and Strange) last year.

Kelly Link: Altogether, I wrote these stories over the course of fifteen years.

Alison MacLeod: Eek. Should I admit this? A ‘debut’ collection makes the author sound so new, almost virginal, but the truth is the stories in the collection were written over a period of twenty years.

Clare Wigfall: Almost a decade.

Tamar Yellin: About twelve years.

Okay, I could go on and on...but I think you get the point. There are a number of authors who wrote all their stories in a year or two (or even six months, Warren Adler, and four months for Rob Shearman) but the majority, who didn't have a collection in mind as they wrote, took years and years. Are you a hare or a tortoise? What does this mean? What pithy conclusion can be drawn?

Perhaps just this: it takes as long as it takes. Yup.Let's leave it there.

Help Save Short Stories on BBC Radio!

Following swiftly in the footsteps of the first short story festival in Bristol, UK, ShortStoryVille, which was hugely successful - comes the distressing news that BBC Radio 4, which until recently broadcast a short story in the Afternoon Reading programme 5 days a week, which was then reduced to 3 days a week - and now will be only once a week. This is the BBC - who only a few years ago was proud to announce the BBC National Short Story Award, and on their website say:

The BBC National Short Story Award, managed in partnership with Booktrust, continues to serve as a reminder of the power of the short story and to celebrate a literary form that is proving ever more versatile in the twenty first century, enjoyed not just on the page, on air and increasingly on every sort of screen, but also in flash fiction events, short story festivals and slams. The short story has moved beyond the revival of recent years and is now experiencing a golden age.

BBC Radio 4 is the world's leading broadcaster of short stories and a staunch and long-time supporter of the form. Short stories are broadcast every week, attracting over a million listeners.

BBC- you are a "staunch and long-time supporter", don't let us down now!

The Afternoon Reading has for many many years been a showcase not just for well-known writers but for new voices - on a personal note, it was my first "big break", the first time I felt I was taken seriously as a writer, coupled with the joy of hearing my story brought so wonderfully to life. Not only that, the payment the writer receives is no paltry sum and has formed a significant part of my writerly earnings in the years since.

There are many, many writers, listeners and readers who are very concerned about this development. Writer Susie McGuire and Ian, organiser of the UK's National Short Story Week, have formulated the following:

The new Controller of Radio 4, Gwyneth Williams, will be a guest on FEEDBACK on BBC Radio 4 next week. How very timely.
Would you add your name to a letter/question to ask her?
Would you pass on this email to other writers who care about the health of the short story…?

The more of us, & the better known the writers who sign it, the more likely it is to have some effect.

If so, please find below a short, polite question, proposed by Ian of http://www.nationalshortstoryweek.org.uk

Reminder: info on her decision to cut the short story’s presence on Radio 4 outlined here  http://www.bbc.co.uk/pressoffice/pressreleases/stories/2011/07_july/10/radio4.shtml

If you’d like to add your signature, please email YES to
ian AT shortstoryweek DOT org DOT uk

& cc to me: info AT susiemaguire DOT co DOT uk

NB – It would be really helpful if you could reply within 24 hours so that the question can be lodged as soon as possible. This is by no means the *only* action interested parties can take, but it’s a start, and I hope you might add your weight to it with this (and further suggestions are welcomed)
thanks
Susie

*******************
Proposed question:
We were surprised and disappointed to learn of the decision to reduce the short story output on Radio 4 to once a week from next spring. Radio 4 has been a great champion of the short story for many years. It is one of very few places in the UK where both new and established writers can have their short stories broadcast to a large audience, and where radio listeners can enjoy readings of the short story form. This move comes at a time when interest in the short story is growing, but paid opportunities for short story writers are still scarce. Could Gwyneth Williams please explain:
1) what has led her to make this decision?
2) whether the short stories on Radio 4 extra will be new commissions or repeats of existing recordings?
3) how this decision fits with the BBC’s sponsorship of the National Short Story Award (and indeed if this will continue?)

If you are moved to do so, please take action, following the instructions outlined above. Signatories so far include:

Clare Wigfall

Sara Maitland

Philip Pullman

Nicholas Royle

Vivian French

James Robertson

Michael Holroyd

Jane Rusbridge

Dr Charles Smith

Sarah Hall

Sarah Hilary

Vanessa Gebbie

Jill Dawson

Lucinda Byatt

Maggie Gee

Sarah Sheridan (Soc of A, Scotland)

Tania Hershman (Ed, The Short Review)

Helena Nelson (publisher, Happenstance)

Morag Joss

Lola Perrin

Jules Horne

Suzanne Bellenger

Richard Beard (Nat Academy of Writing)

Ali Bacon

Nicky Parker, (Publisher, Amnesty)

Dan Powell 

Ian Cundell

Kathleen Langley

John Courtney-Grimwood

Wendy Ann Greenhalgh

Alison Wells

James Wall

K E Bergdoll

Linda Cracknell

Jonathan Pinnock (also see his FB links)

Sarah Salway

Alison MacLeod

Louis Winters

Emily Dubberly

Karen Whiteson

Griff Griffiths

Sara Schofield

Ian Macpherson

Stella Burchill

(and counting...)

Please join us!

ADDENDUM: There is now an online petition here - please sign! 

2011 Frank O'Connor International Short Story Prize Shortlist

More congratulations are in order - to the six short story collection shortlisted for the seventh Frank O'Connor International Short Story Prize, three of whom are Short Review authors, I'm delighted to say. The €35,000 will be awarded at the Frank O'Connor Short Story Festival in Cork, Ireland, in September.

Here is the shortlist -with links to the three we've already reviewed. Good luck to all!

1. Gold Boy, Emerald Girl by Yiyun Li
2. Light Lifting by Alexander MacLeod
3. Saints and Sinners by Edna O’Brin
4. Death is Not an Option by Suzanne Rivecca
5. The Empty Family by Colm Tóibin
6. Marry or Burn by Valerie Trueblood

Congrats - Edge Hill Short Story Prize

Congratulations to Short Review author Tom Vowler whose short story collection, The Method, won the Readers' Prize at the Edge Hill Short Story Prize awards last night! You can read our review of the book here. Congratulations also to Graham Mort, whose collection, Touch, won the overall Edge Hill Prize. A great night for short stories!